Please use this identifier to cite or link to this item:
https://hdl.handle.net/1889/5087
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Rigolo, Pietro | - |
dc.date.accessioned | 2022-10-03T13:37:39Z | - |
dc.date.available | 2022-10-03T13:37:39Z | - |
dc.date.issued | 2022-10 | - |
dc.identifier.issn | 2038-8411 | - |
dc.identifier.uri | https://hdl.handle.net/1889/5087 | - |
dc.description.abstract | Pietro Rigolo approfondisce il tema di una mostra mai realizzata di quello che viene considerato a tutti gli effetti il primo curatore "indipendente": Harald Szeemann. | en_US |
dc.language.iso | Italiano | en_US |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.title | La Mamma di Harald Szeemann | en_US |
dc.type | Article | en_US |
dc.rights.license | Attribution-NonCommercial-NoDerivatives 4.0 Internazionale | * |
Appears in Collections: | 2022, Dossier 7. The lockdown of the projects |
Files in This Item:
File | Description | Size | Format | |
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RIGOLO-mamma.pdf | editorial version | 179.46 kB | Adobe PDF | View/Open |
This item is licensed under a Creative Commons License