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https://hdl.handle.net/1889/5032
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Spriet, Stella | - |
dc.date.accessioned | 2022-08-12T09:43:12Z | - |
dc.date.available | 2022-08-12T09:43:12Z | - |
dc.date.issued | 2017 | - |
dc.identifier.issn | 2039-0114 | - |
dc.identifier.uri | https://hdl.handle.net/1889/5032 | - |
dc.description.abstract | L’opera del regista francese Daniel Mesguich mostra una volontà di svelare in scena i meccanismi del lavoro teatrale, collegando ogni testo all’intera tradizione costituita dalle sue varie realizzazioni e interpretazioni. La citazione, inserendo personaggi o scene provenienti da altri testi, si impone allora come un procedimento essenzialmente metateatrale. | en_US |
dc.description.abstract | The work of the French director Daniel Mesguich shows the will to reveal theatrical mechanisms, establishing a connection between each text and the whole tradition of its various productions and interpretations. Thus, by including characters or scenes from other texts, quotation becomes an essentially metatheatrical process. | en_US |
dc.language.iso | Italiano | en_US |
dc.rights | © Stella Spriet, 2017 | en_US |
dc.rights | Attribuzione - Non commerciale 4.0 Internazionale | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc/4.0/ | * |
dc.title | Des voix venues d’ailleurs. La scène de Daniel Mesguich | en_US |
dc.type | Article | en_US |
Appears in Collections: | Parole rubate / Purloined letters: 2017, 15 |
Files in This Item:
File | Description | Size | Format | |
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F15_8_spriet_mesguich.pdf | 240.32 kB | Adobe PDF | View/Open |
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