“Human Desire” y “La Bête humaine”: una relación compleja

Please use this identifier to cite or link to this item: https://hdl.handle.net/1889/4938

Full metadata record

DC Field	Value	Language
dc.contributor.author	Gonzáles Garcia, Fernando	-
dc.date.accessioned	2022-08-11T15:59:17Z	-
dc.date.available	2022-08-11T15:59:17Z	-
dc.date.issued	2021	-
dc.identifier.issn	2039-0114	-
dc.identifier.uri	https://hdl.handle.net/1889/4938	-
dc.description.abstract	Il cammino che va dal romanzo di Émile Zola La Bête humaine all’omonimo film di Jean Renoir (1938), quindi al remake di Fritz Lang Human Desire (1954), attraversa una serie complessa di mediazioni legate all’editoria e all’industria cinematografica europea e statunitense. Questa prospettiva transnazionale mette in campo un vero e proprio circolo ‘intermediale', che questo articolo cerca di descrivere dettagliatamente.	en_US
dc.description.abstract	The path that moves from Émile Zola’s novel La Bête humaine to the homonymous film by Jean Renoir (1938), then to the remake Human Desire (1954) by Fritz Lang, conveyed a complex series of elements linked to European and American publishing and film industries. This transnational perspective brings into play an 'intermedial' circle, which this article attempts to describe in detail.	en_US
dc.language.iso	Italiano	en_US
dc.rights	© Fernando Gonzáles Garcia, 2021	en_US
dc.rights	Attribuzione - Non commerciale 4.0 Internazionale	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc/4.0/	*
dc.title	“Human Desire” y “La Bête humaine”: una relación compleja	en_US
dc.type	Article	en_US
Appears in Collections:	Parole rubate / Purloined letters: 2021, 24

Files in This Item:

File	Description	Size	Format
F24_3_garcia_desire.pdf		1.61 MB	Adobe PDF	View/Open

This item is licensed under a Creative Commons License

DSpaceUnipr