Please use this identifier to cite or link to this item: https://hdl.handle.net/1889/4937
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dc.contributor.authorChiesi, Roberto-
dc.date.accessioned2022-08-11T15:57:24Z-
dc.date.available2022-08-11T15:57:24Z-
dc.date.issued2021-
dc.identifier.issn2039-0114-
dc.identifier.urihttps://hdl.handle.net/1889/4937-
dc.description.abstractNosferatu, eine Symphonie des Grauens (1921) di Friedrich Wilhelm Murnau si ispira al celebre romanzo Dracula (1897) di Bram Stoker, con una libertà e una spregiudicatezza che conferiscono una luce nuova e più complessa all'eterno racconto della lotta del Bene contro il Male. Ispirandosi al film di Murnau, nel 1978 Werner Herzog ne realizza un falso remake , Nosferatu – Phantom der Nacht, che rovescia completamente la dialettica morale del romanzo.en_US
dc.description.abstractAlthough Bram Stoker’s Dracula (1897) was a source of inspiration for Friedrich Wilhelm Murnau’s Nosferatu, eine Symphonie des Grauens (1921), the latter drew on the former in free and unconventional ways. As a result, Murnau’s portrait of the fight between Good and Evil is more complex than Stocker’s. In his 1978 remake, Nosferatu – Phantom der Nacht, Werner Herzog thoroughly changed the moral of the novel.en_US
dc.language.isoItalianoen_US
dc.rights© Roberto Chiesi, 2021en_US
dc.rightsAttribuzione - Non commerciale 4.0 Internazionale*
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/*
dc.titleIl vampiro sublime. Da “Dracula” a due “Nosferatu”en_US
dc.typeArticleen_US
Appears in Collections:Parole rubate / Purloined letters: 2021, 24

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