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https://hdl.handle.net/1889/4937
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DC Field | Value | Language |
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dc.contributor.author | Chiesi, Roberto | - |
dc.date.accessioned | 2022-08-11T15:57:24Z | - |
dc.date.available | 2022-08-11T15:57:24Z | - |
dc.date.issued | 2021 | - |
dc.identifier.issn | 2039-0114 | - |
dc.identifier.uri | https://hdl.handle.net/1889/4937 | - |
dc.description.abstract | Nosferatu, eine Symphonie des Grauens (1921) di Friedrich Wilhelm Murnau si ispira al celebre romanzo Dracula (1897) di Bram Stoker, con una libertà e una spregiudicatezza che conferiscono una luce nuova e più complessa all'eterno racconto della lotta del Bene contro il Male. Ispirandosi al film di Murnau, nel 1978 Werner Herzog ne realizza un falso remake , Nosferatu – Phantom der Nacht, che rovescia completamente la dialettica morale del romanzo. | en_US |
dc.description.abstract | Although Bram Stoker’s Dracula (1897) was a source of inspiration for Friedrich Wilhelm Murnau’s Nosferatu, eine Symphonie des Grauens (1921), the latter drew on the former in free and unconventional ways. As a result, Murnau’s portrait of the fight between Good and Evil is more complex than Stocker’s. In his 1978 remake, Nosferatu – Phantom der Nacht, Werner Herzog thoroughly changed the moral of the novel. | en_US |
dc.language.iso | Italiano | en_US |
dc.rights | © Roberto Chiesi, 2021 | en_US |
dc.rights | Attribuzione - Non commerciale 4.0 Internazionale | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc/4.0/ | * |
dc.title | Il vampiro sublime. Da “Dracula” a due “Nosferatu” | en_US |
dc.type | Article | en_US |
Appears in Collections: | Parole rubate / Purloined letters: 2021, 24 |
Files in This Item:
File | Description | Size | Format | |
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F24_2_chiesi_nosferatu.pdf | 1.57 MB | Adobe PDF | View/Open |
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