Please use this identifier to cite or link to this item: https://hdl.handle.net/1889/4914
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dc.contributor.authorDongu, Maria Grazia-
dc.date.accessioned2022-08-11T13:26:16Z-
dc.date.available2022-08-11T13:26:16Z-
dc.date.issued2019-
dc.identifier.issn2039-0114-
dc.identifier.urihttps://hdl.handle.net/1889/4914-
dc.description.abstractThis article focuses on the rich intertextual network pervading Looking for Richard (1996), a docudrama starring Al Pacino as actor-director and King Richard III as the protagonist. The film reflects upon the deeper meaning carried by Shakespeare’s verse in our contemporary, globalised world. The intermingling of interviews, actors’ discussions, rehearsals, and performance throws into relief the metatextual value of the cinematic medium.en_US
dc.description.abstractL’articolo ha per tema l’intensa trama intertestuale che pervade Looking for Richard (1996), un docudrama con Al Pacino come attore-regista e il re Riccardo III come protagonista. Il film è una meditazione sul profondo significato che hanno i versi di Shakespeare nel mondo globale contemporaneo. L’intrecciarsi di interviste, discussioni degli attori, prove e rappresentazione esalta il valore metatestuale del mezzo cinematografico.en_US
dc.language.isoIngleseen_US
dc.rights© Maria Grazia Dongu, 2019en_US
dc.rightsAttribuzione - Non commerciale 4.0 Internazionale*
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/*
dc.title“Richard the Third” and “Looking for Richard”: from Stage to Docudramaen_US
dc.typeArticleen_US
Appears in Collections:Parole rubate / Purloined letters: 2019, 20

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