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https://hdl.handle.net/1889/1987
Title: | Frontières reculées de la citation: sur trois films de Hans-Jürgen Syberberg |
Authors: | Geneix, Nicolas |
Issue Date: | 2012 |
Document Type: | Article |
Abstract: | L'articolo studia tre film di Hans-Jürgen Syberberg ( Karl May del 1974, Hitler, ein Film aus Deutschland del 1977 e Ein Traum, was sonst ? del 1994), mettendo in luce il lavoro del cineasta come raccoglitore e montatore di archivi visivi, sonori e letterari. In queste opere che sono insieme antologiche, memoriali e sinfoniche, si afferma un gusto spiccato per la citazione (i collages rinviano per esempio al cinema primordiale di Méliès), sul filo del malinconico rimpianto per un paradiso perduto, al tempo stesso personale e culturale. This article analyses three films by Hans-Jürgen Syberberg – Karl May (1974), Hitler, ein Film aus Deutschland (1977) and Ein Traum, was sonst ? (1994) – in order to shed light on the filmmaker's work as a collector and editor of visual, sound and literary archives. Simultaneously anthological, memorial and symphonic, these works feature a striking penchant for quotation (for instance the collages referring to Méliès' primordial cinema) along the lines of the melancholy regret for a lost paradise which is both personal and cultural. |
Appears in Collections: | Parole rubate / Purloined letters: 2012, 5 |
Files in This Item:
File | Description | Size | Format | |
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Geneix.pdf | 837.35 kB | Adobe PDF | View/Open |
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